Description
Pietro Lorenzetti depicts the crucified Christ attended by the Virgin and Saint John the Evangelist, while Saint Clare and Saint Francis kneel at the foot of the cross. Above, an angel holds a bloodstained tunic and an unfurled cloth, an unusual motif that deepens the meaning of the Passion. Painted around 1320 against a gold ground, this small panel was probably intended for the personal devotion of a Franciscan nun. Now in Harvard's Fogg Museum, its remarkable imagery has inspired renewed scholarly study.
The panel deliberately unites figures belonging to different historical periods. Mary and John are witnesses within the Gospel account of the Crucifixion, whereas Clare and Francis were medieval saints who identified spiritually with Christ's suffering. Lorenzetti is not claiming that all four stood together at Calvary. Instead, the composition offers a model of devotion through which later worshippers might imagine themselves present before an event central to Christian belief.






